Consonism

A Theory of Art and Psychological Reorganization

Poyan Bedayat, 2026

Introduction

1. The Preservation–Variability Problem

  • 1.1 — The Dilemma

  • 1.2 — Reference as Continuity Across Variable Realizations

  • 1.3 — Multiple Relevant References and the Field

2. From Co-influence to Composition

  • 2.1 — Co-influence and Its Limit

  • 2.2 — Reciprocal Consequence

  • 2.3 — Composition as Accumulated Reciprocal History

3. Compositional Economy and Consonant Bonding

  • 3.1 — The Interaction Profile

  • 3.2 — Compositional Economy

  • 3.3 — Persistence Bias

  • 3.4 — Functional Interdependence and the Consonant Bond

  • 3.5 — Selective Variation

4. From Consonant Bond to Composed Reference

  • 4.1 — Recurrence and Translation

  • 4.2 — Consolidation and the Composed Reference

  • 4.3 — Inhabitation and the Formal Statement of Consonism

5. Trauma and Its Learned Future

  • 5.1 — Trauma-Formed Reference

  • 5.2 — Valid Response and Pathological Continuation

  • 5.3 — The Requirements and Resources of Correction

  • 5.4 — Availability, Accessibility, and the Practical Problem

6. Corrective and Developmental Composition

  • 6.1 — The Logical Boundary

  • 6.2 — Corrective Composition

  • 6.3 — Developmental Composition

  • 6.4 — Comparison and Common Practical Condition

7. Consonist Art

  • 7.1 — Externalization and Artistic Persistence

  • 7.2 — Artistic Judgment and Joint Participation

  • 7.3 — Consonist Art as Deliberate Practice

  • 7.4 — Translation, Integration, and Limits

Conclusion

Table of Content


Introduction

1. The Preservation–Variability Problem

  • 1.1 — The Dilemma

  • 1.2 — Reference as Continuity Across Variable Realizations

  • 1.3 — Multiple Relevant References and the Field

2. From Co-influence to Composition

  • 2.1 — Co-influence and Its Limit

  • 2.2 — Reciprocal Consequence

  • 2.3 — Composition as Accumulated Reciprocal History

3. Compositional Economy and Consonant Bonding

  • 3.1 — The Interaction Profile

  • 3.2 — Compositional Economy

  • 3.3 — Persistence Bias

  • 3.4 — Functional Interdependence and the Consonant Bond

  • 3.5 — Selective Variation

4. From Consonant Bond to Composed Reference

  • 4.1 — Recurrence and Translation

  • 4.2 — Consolidation and the Composed Reference

  • 4.3 — Inhabitation and the Formal Statement of Consonism

5. Trauma and Its Learned Future

  • 5.1 — Trauma-Formed Reference

  • 5.2 — Valid Response and Pathological Continuation

  • 5.3 — The Requirements and Resources of Correction

  • 5.4 — Availability, Accessibility, and the Practical Problem

6. Corrective and Developmental Composition

  • 6.1 — The Logical Boundary

  • 6.2 — Corrective Composition

  • 6.3 — Developmental Composition

  • 6.4 — Comparison and Common Practical Condition

7. Consonist Art

  • 7.1 — Externalization and Artistic Persistence

  • 7.2 — Artistic Judgment and Joint Participation

  • 7.3 — Consonist Art as Deliberate Practice

  • 7.4 — Translation, Integration, and Limits

Conclusion

Table of Content